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Ten [Jun. 24th, 2009|08:04 pm]
It's an interesting economic decision for the Academy to expand the nominees for the 2010 Best Picture Award from 5 to 10.  They're claiming that they're simply returning to their earlier roots when 10 nominees was the norm.  Sure, but in the early years the awards were more-or-less rigged anyway, so I'm not sure it's such a good model.  This expansion of nominees will, as many have pointed out, allow more films to advertise themselves as "Best Picture Nominee," and since this decision is so obviously economically motivated, it will simply serve as a platform for the major studios to promote their mediocre films - it's not as if we'll suddenly see foreign and independent films nominated.  Many years (notable exception being 2007) hardly have 5 worthy Hollywood films, let alone 10.  Oh well.
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Biopics [Jun. 2nd, 2009|01:18 pm]
I think I've ranted before about genres of film I don't like.  I don't mind a good war film, for example, but I think it's a dead genre, with nothing new left to say, until, I suppose, someone does something creative and interesting with it. But it's been dead for 10 years. Spielberg killed it with Saving Private Ryan.  But I've discussed this before.
Lately, I've been really hating these inane biopics.  A biopic is a problematic genre for a number of reasons.  First of all, the story is limited (to a certain extent) by some notion of faithfulness to historic accuracy, a flaw which limits its artistic potential.  I've often said that a film should have no obligation to be faithful to its source material (such as a book) and I also believe, in the case of a biopic, it has no obligation to be faithful to the life of the person depicted.  Art trumps historic accuracy - always.  Film is inherently a mythologizing medium, and should not be held to historic scrutiny.  People criticize biopics for any minor historic inaccuracy, while I'd find fault in too much historic accuracy at the expense of artistic expression.
Biopics also usually feature lifeless acting.  Impersonation is not acting, at least it's not nearly as interesting as acting that comes from an actor's own emotion and soul.  Biopics contain too many preconceived ideas of characters that limit an actors ability to make of the character what they want.
There are a few biopics that break these rules.  Todd Hayne's I'm Not There, for example, was great, but only because it broke the tendencies of the usual biopic.  It didn't attempt any literal faithfulness to Bob Dylan's story, instead focusing on the truth of impressions and ideas.  By using multiple actors to play Dylan, it also allowed the actors to depict Dylan as they saw him, instead of mere impersonation.

There's more to say about this, I'm sure.  But conventional biopics like Ray, Milk, Walk the Line, and so on, do little for me.  They just scream dullness.
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Wikipedia and Religion [May. 29th, 2009|09:58 pm]
http://scitech.blogs.cnn.com/2009/05/29/wikipedia-bans-church-of-scientology/#comment-22410

Wikipedia has banned Scientology from editing its own page, because they had made an obvious and concerted effort to place pro-Scientology bias within the wikipedia article.  This doesn't surprise me.  I'm quite sure that the LDS (Mormon) Church does the same thing, but since Mormonism is more accepted than Scientology, I doubt it a similar ban will take place, though it would be equally deserved.  Try to say anything historically accurate about Joseph Smith. Just try it.   You won't be able to do it, before legions of Mormon wikipedians will immediately delete any changes.  The Church has made an effort of re-branding themselves as family-friendly.  Look at their past, though: Mormons are famous for their history of polygamy.  So they've had to re-brand themselves with all these TV ads as a church that cares about family values.  And part of this re-branding is protecting their image on the internet, especially wikipedia, which is probably (and unfortunately) one of the most commonly used research sources.  LDS is really no more or less absurd than Scientology - they've just been around a bit longer and have more successfully branded themselves as "normal."
 
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Sacred and Profane [May. 13th, 2009|06:05 pm]

I read Mircea Eliade's The Sacred and the Profane - it was an interesting book, but the last ten pages were the best.  (It's often that way, it seems.)  He discusses how secular society is full of "degenerated or camouflaged religious behavior."  For example, he interprets Marx this way:

"Marx takes over and continues one of the great eschatological myths of the Asiatico-Mediterranean world - the redeeming role of the Just (the "chosen," "the anointed,"  the "innocent," the "messenger"; in our day, the proletariat), whose sufferings are destined to change the ontological status of the world.  In fact, Marx's classless society and the consequent disappearance of historical tensions find their closest precedent in the myth of the Golden Age that many traditions put at the beginning and the end of history.  Marx enriched this venerable myth by a whole Judaeo-Christian messianic ideology: on one hand the prophetic role and soteriological function that he attributes to the proletariat; on the other hand, the final battle between Good and Evil, which is easily comparable to the apocalyptic battle between Christ and the Antichrist, followed by the total victory of the former...."



Even Marx, a icon of atheism, is enacting a primordial religious urge.  This is just one example, but this and other examples lead Eliade to conclude that "a purely rational man is an abstraction; he is never found in the real.  Every human being is made up at once of his conscious activity and his irrational experiences."



And later, "...it could almost be said that in the case of those moderns who proclaim that they are nonreligious, religion and mythology are "eclipsed" in the darkness of the unconscious - which means too that in such men the possibility of reintegration of a religious vision of life lies at a great depth."



And this is precisely what Dawkins, Hitchens and others deny, when they claim to be completely and utterly rational. Now, I know that I haven't provided enough here to prove Eliade's point - but to me, anyway, it's pretty clear that Dawkins and his ilk are spending a lot of time trying to deny all expressions of the unconscious, claiming to follow reason and rationality only.  It only takes an elementary knowledge of psychology to observe that a fixation on denying something usually stems from a fear or repression of what is deep inside a person.  A fear, in the case of Dawkins, of irrational religious urges, which he knows exists within him, as it does in all of us.

If Eliade were alive today, I think he might even suggest that Dawkins has camouflaged his own religious impulses with a whole series of irrational liturgies and rituals surrounding the worship of his deity - Reason.  Too bad this god, like all human constructions, is completely and utterly fallible.

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Band names [May. 7th, 2009|04:53 pm]
 What's a good band name?

I started a band. I sing and play guitar and write songs.  We don't take it very seriously, but I did start a facebook fan page.  So, become a fan if you'd like.  The name is Hey It's Okay.
I couldn't think of any other good names.  I was trying to choose a name based on a book title. I like Rushdie, so I was looking through his titles, but as band names they all sound like bad metal bands - Midnight's Children, The Satanic Verses, Fury.  So, then Erin and I were flipping through women's magazines and there was an article about how it was good to be fat or something, and it said "Hey, It's Okay..." and I said "Hey, there's a band name."

What do you think?
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Dress Sexy at My Funeral [May. 7th, 2009|04:51 pm]
Dress sexy at my funeral my good wife
Dress sexy at my funeral my good wife
For the first time in your life
Wear your blouse undone to here
And your skirt split up to here 

Oh Dress sexy at my funeral my good wife
For the first time in your life
Oh Dress sexy at my funeral my good wife
Wink at the minister
Blow kisses to my grieving brothers 

Dress sexy at my funeral my good wife
And when it comes your turn to speak before the crowd
Tell them about the time we did it
On the beach with fireworks above us 

On the railroad tracks with the gravel in your back
In the back room of a crowded bar
And in the graveyard where my body now rests 

Oh Dress sexy at my funeral my good wife
Dress sexy at my funeral my good wife
For the first time in your life 

Also tell them about how I gave to charity
And tried to love my fellow man as best i could
But most of all don't forget about the time on the beach
With fireworks above us 


By Smog

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Airline [Mar. 25th, 2009|02:44 pm]
 So Ryanair is planning to charge people to use the toilets on the airplane.  (I never use them anyway, even on long flights...)  I found this quote from the head of Ryanair interesting:

"We will charge for every possible thing we can think to charge for, but it will always be the passengers' choice whether they pay it or don't pay it," he said.

He's a bastard, sure, but it's almost refreshing to hear someone admit to that so boldly.

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Sunday Hunting [Mar. 23rd, 2009|07:22 pm]
I found this bit of local news amusing. I had no idea you weren't allowed to hunt on Sunday.


"Big game hunters throughout Manitoba will now be allowed to hunt on Sundays. Conservation Minister Stan Struthers explains this will have a positive impact on the Manitoba economy with hunters spending more time out on weekends. He says all regular rules apply to Sunday hunting. He adds this is good for hunters who only have the weekends to hunt. Struthers says there has been minimal feedback from faith groups on the matter. He adds many people believe Sunday is a day for family, and many families can now use that day to hunt together. Meantime, Struthers explains yearly conservation decisions are made by observing provincial game hunting areas. These are available in the hunting guide. He adds there is also a hunter mentorship program available. This connects youth with experienced hunters. Struthers says this really pays off in the long run in terms of safety."

I thought this part was particularly funny: "He adds many people believe Sunday is a day for family, and many families can now use that day to hunt together. " Right. There's some good quality family time - shooting animals! Horray!

In other local news. Steinbach now has a liquor store, which, for those of you who don't know, is significant considering that this was the last dry town in Manitoba (perhaps in Canada, at least of its size.) It's small but I was pleasantly suprised at the selection - not bad for little old Steinbach.
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The Bible [Mar. 15th, 2009|03:18 pm]
 Alright, for a lot of people this post will not be relevant at all - so feel free to ignore it as you would the rest of my posts.
I've been thinking about the connection between the Bible and Christianity.  For a while I was addicted to these youtube videos of the fundamentalists from Westboro Baptist Church - you know the ones that picket soldiers funerals (their website address is godhatesfags.com).  Anyway, I've been watching some of the videos and the lady from that church has an impressive knowledge of the Bible (though her interpretation skills may be lacking.)  I saw an interview she did with one of these lives-at-home-with-his-mother-frat-boy-Dawkins-atheist types. Now, the atheist kid used her as an example of a "real Christian."  He seemed to believe, like she did, that unless you interpreted everything in the Bible literally you were a hypocrite.  The atheist was using this to demonstrate the fallacy of Christianity, whereas the Westboro woman was trying to show how her church is the only true church.
In a subsequent video the same atheist kid  had his uncle on as a guest to respond to the Westboro lady.  The uncle pointed out that Christianity should not be equated with the Bible.  Meanwhile the atheist added a pop-up on the screen which arrogantly mocked this notion, stating that belief in God and belief in the Bible had to go together.

This is what leads a lot of atheists to believe that if they can poke holes in the validity of the Bible that they're actually proving that God does not exist.  This is laughably illogical, but a common technique, nevertheless.  A person could believe in God without any connection to the Bible.  A person could even believe in the teaching of Jesus Christ without any word of the Bible being historically true.  There is absolutely nothing essential about the Bible to a belief in God or to Jesus Christ.  Even the Bible states as much in various places.  So to attack the Bible is to really miss the main target.   If someone could demonstrate that Darwin was not the actual author of the Origin of Species, that would not say that the ideas in it were incorrect and would say nothing about whether or not God exists.

However, since some Christians do base their entire belief system on the Bible, I can see why atheists might be tempted to attack this source - and quite frankly to shatter someone's misconceptions about the Bible often does lead people to doubt their faith, but that's because they've placed their faith in the wrong thing, in my opinion.

I understand where the evangelical devotion to the Bible comes from.  Sola Scriptura ("by scripture alone") - a doctrine that teaches that the Bible is a Christian's only authority and this stemmed from the Protestant reformer's reaction to the abuses of power in Catholicism.  So, I understand why this doctrine was initiated.  More recently it's used to save Christianity from the doctrine of cults.  Again, I understand the thinking here - if we don't hold to sola scriptura then we open ourselves up to people like Joseph Smith creating entirely new books out of nowhere and claiming they are scripture.
So, I do recognize these concerns, and the concerns are very real.  However, even if we agree to something like sola scriptura the entire Bible is still open to interpretation.  There is nothing within the Bible that says how it should be interpreted, so the idea of sola scriptura (that the Bible is the exclusive authority) is an impossible fallacy, since human interpretation is always a part of any reading.  So I'm not sure how useful this idea is.
And I've read countless atheist accounts that like to lump in the absurdity of Mormonism and Scientology in with orthodox Christianity - they say, if you believe the things taught in the BIble, why not believe the crazy things Mormons believe.  But I don't believe these comments are entirely genuine - I think the motivation is more or less to insult orthodox Christianity by equating it with clearly absurd beliefs.  So the point is more one of insult rather than logic.  Because even Bill Maher, a militant atheist, states that nothing about Christianity can be proved one way or another, but because of the recency of a religion like Mormonism most of it can be proven incorrect.  There is a substantial and discernible difference.
The notion that we need sola scriptura to protect us from the doctrine of cults is a bit naive - I'd like to think that most people do have enough of a sense of rationality that they can dismiss clear absurdities when they are presented with them.  Sure, belief in the resurrection requires a dismissal of conventional logic, but since it occurred 2000 years ago it doesn't contradict history, necessarily. Whereas (just as an example) the teachings of Joseph Smith perhaps require the same dismissal of logic but they also require a dismissal of provable historic fact.  I think most people can make this distinction, which is why the most radical and absurd of religions are usually fringe and marginal, despite efforts to become mainstream (ie. LDS and scientology.)

Back to the discussion of the Bible. I think some Christians worship the Bible rather than God.  The Bible is not God.  Even if a person believes the Bible is the Word of God, it still should be considered idolatrous to worship it.  I also like what Brian McLaren says when he states that the Bible may be the "Word of God" but not the "words of God." Meaning that it can speak to people, perhaps, but that the words in it are not to be interpreted as a legal document.  I think this is obvious - I'm not going to get into the history of the canon and so on, but any study of this would make it pretty clear that the Bible in no way descended, as is, from heaven.

Still, the central aspect of Christianity is the person of Jesus Christ.  Without him, it would be some other religion, but could not logically be considered "Christian."  And the Bible is really the only source of information about Jesus Christ.  (And, yes, I know this is contentious, too.  I've heard it all, we don't need to go there.)  So, as that, it does have great value, beyond any other book.  If a person is going to claim to follow Jesus Christ (in whatever way that might mean to them) it only makes sense that they'd have to base some of their beliefs on what they've read in the New Testament for the simple fact that (unless you believe in personal divine revelation, which at best is a rare occurence :)  ) there is no other source of information.   But, this information is interpreted personally and subjectively by each individual.  I don't think we should be afraid of this in Christendom.  Yes, there are crazy people out there, and the fear is if we open the Bible up to personal subjective (rather than taught established doctrines) interpretation that there'll be some pretty insane ideas.  Sure, but we already have this - there are entire churches that teach these insane ideas.  (Besides it seems like a lot the churches that claim sola scriptura have a list of doctrines that they've culled from the Bible which are, in some ways, placed as an authority higher than the Bible itself, and thus contradicts their supposed idea of sola scriptura anyway.)   But the fact is we cannot avoid subjective intepretation - even in churches with set doctrine - yes, the congregants may not be free to interpret subjectively, but they've been given somebody's subjective interpretation.  (And even the wording of these doctrinal statements is interpreted by each reader.)  Since interpretation cannot be avoided, it should not be denied and covered-up and marginalized.  

But, I don't think the BIble should be worshipped, equated with Christianity, taught as law or anything else that would give it a position above the position of God. 

Therefore to attack the Bible, the canonicity, interprative methods, historical errors, etc. is all largely irrelevant.  Even if all the allegations were true (and many of them are) it would not alter the importance of the Bible, not as a sola scriptura law, but as a sincere (even if not accurate) source of information about the Son of God.

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Radiohead snub [Mar. 15th, 2009|02:05 pm]
http://ca.music.yahoo.com/read/news/61985920

I'm sure this is not news to anyone - the whole Radiohead - Miley Cyrus snub, which is pretty hilarious.  I can't believe that Cyrus thinks she can "ruin" Radiohead, as if any Radiohead fans actually give a shit how they treat someone like Miley Cyrus.  I especially like what Thom Yorke says that when Cyrus grows up she'll hopefully learn not to have such a sense of entitlement.
I remember when I saw Radiohead in 1998.  They had signs up in the lobby of the arena explaining that no crowd surfing and moshing (this was the 90s after all) would be allowed.  (This was around the same time a girl had died at a Smashing Pumpkins concert being crushed by the crowd.)  I remember that during the concert Yorke asked everyone in the crowd to take two giant steps backwards.  The audience (as is the case in too many concerts I've been to, were total douchebags) - they kept yelling and chanting for Radiohead to play Creep -  I was glad when they didn't.  Some audience members crowd surfed and, when they got to the front of the stage, were hauled off by security guards.  At one point Yorke, obviously annoyed, appeared to hit a crowd-surfer in the head with his guitar (though I'm sure he actually didn't.)  Anyway, the music was great- the audience was not.  And after the show my brother and I waited around for hours to see if Radiohead would come and sign our CDs or whatever - they never came.  One of the security guards said they didn't come out because of the behaviour of the audience.
I'm glad that they're consistent and refuse to meet people like Miley Cyrus.

What I don't understand is how all these teeny-bopper pop stars can be "fans" of good bands.  How can Miley Cyrus make the music she does and also be a fan of Radiohead.  Or Justin Timberlake and The Flaming Lips. Or Kelly Clarkson and Radiohead.  I don't get it - you'd think that that the type of music you listen to would rub off on the type of music you create.  But, of course, I'm conveniently forgetting the fact that these manufactured pop stars don't actually create the music they perform - instead they put out music based on marketing and so on.  So, it really should come as no surprise that some of them claim to like good music, yet make crap music.  It's hypocritical really.  So I'm glad Radiohead snubbed her....although it wasn't really a snub, so much as, like Yorke says, a disagreement with her sense of entitlement. 

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Comic Books as Movies [Mar. 8th, 2009|04:09 pm]
 If anyone's been observing my imdb and flixter ratings, they might think that I have something against comic book films - and maybe I do, though I don't think it's as deliberate as it might seem.  I actually had fairly high hopes for Watchmen, and it was an alright film - still, it wasn't spectacular.  I had a similar reaction to the Dark Knight.  And I think I know why these films don't work for me.
I will admit that I never read comic books (not the superhero kind, anyway) as a child, so maybe I don't know what I'm talking about.  But I did read Watchmen a few years ago, and I have read other non-fiction graphic novels such as Persepolis (which I think is brilliant), Maus, Ghost World, Louis Riel and others.  I enjoyed reading Watchmen, and it has been celebrated as the greatest ever graphic novel, though I haven't read any other superhero comics to compare it with, so I can't confirm or deny this claim.
Watchmen writer Alan Moore has notoriously stated his disdain for comic book movies, saying that Hollywood tends to throw in too many explosions without leaving time for exposition. I agree with Moore, but I think the reason comic books movies do nothing for me is because I can never become absorbed into the worlds they present.  Whereas in a sci-fi or fantasy film, usually there is a entirely new world created, that I can (sometimes) buy into...however, in most superhero films these superheroes are placed in a setting resembling contemporary reality.  And we're supposed to believe that Batman or the big blue guy from Watchmen or whoever is actually interacting with presidents and prime ministers and terrorists and other figures that we might expect to see on CNN.  This is problematic to me, first because the films never succeed in drawing me in to suspend my disbelief, and secondly because by using contemporary and realistic settings and situations I'm automatically expecting some level of profundity or message, which is rarely there (and if it is, is usually sterile and predictable.)  To me the films feel like one big long deus ex machina, giving the "real" people "gods" that implausibly save them from their harsh reality.  A fantasy film, at least, transports us into some other world, and so we don't have to make these kind of comparisons, but by placing superheroes in our real world, it distances the audience from the story (at least me).
The stories may work in a comic book form, because the illustrations themselves are already a sort of fantasy world.  But as a live-action film the stories don't succeed as well.

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Feminism and Religion [Mar. 5th, 2009|04:44 pm]

I was discussing these issues with a colleague this morning, and I figured I needed to get it down in writing, so that I can process this more fully.

The question is: What is the feminist response to gender-specific religious articles such as the hijab in Islam or bonnets and dresses among Mennonites (my own heritage)?

First I'll give a bit of background on my own political biases, so that there's some context to the comments I'll make on this issue.

My political views have evolved, as I think they always should, but right now I would define myself as an anarcho-pacifist, culling ideas from a range of sources - Lenin, Ellul, Tolstoy and others.  I define anarcho-pacifism as the rejection of all forms of violence (hence pacifism), which implies a rejection of government, which, in my opinion, is an inherently violent structure (hence anarchism.)  I interpret Christ's teachings as a rejection of violence, as well, so this is partially a religious, as well as political, ideology.  All governments and all corporations, for that matter, use violence in some way to maintain power.  Even the most liberal and progressive of governments maintain power through the threat of violence - this is unavoidable with top-down power structures.  And, on this point I agree with Lenin, who called western democracies, "toy democracies" which gave people something to play with and an illusion of power and control.  All modern democracies are, to a certain extent, "toy democracies."  Governments change, yet corporations, who don't vote, maintain influence over decision making - this is just one example. You cannot collect taxes, for example, without the threat that if an individual does not pay them, they will be forcibly confined.  Corporations also use the violence of economic systems and governments for their own benefit.  My friend Jeremy says this line of thinking leads me to see violence in everything - and I don't deny this, but neither do I think that means the anarcho-pacifism view is invalid.  

Now, I agree with Jacques Ellul that the notion of an ideal anarcho-pacifism society may be rather naive, and so I don't pretend to think that someday, somewhere, we'll actually have this ideal anarchist utopia or something.  But, for me, it's a suitable lens in which to view the world.  It's the ideal we should strive for.  But it can never be achieved through our toy democracies and violent governments.

So-called "libertarians" would argue that government should be reduced to only functions of national defense and protection of individual rights. And while I agree with libertarians when they say government should not make decisions on individual’s morality, I disagree with their basic underlying notion.  My beliefs stem from upholding pacifism and opposing oppression at all costs. Libertarians seem to believe that simply reducing the role of government is ideal, and ignore the violence and oppression that comes from corporations.  Libertarians see only government as evil.  I see both government and the corporate system as evil, because they are inherently violent.  Yes, they are all made up of individual people, but such systems it coerce otherwise good individuals into abandoning their principles in order to maintain power for the corporation or government.  

So, my point is that the ideal 'government', which would be voluntary, regional and collective, cannot work unless people are liberated in their minds, as well as economically, socially and so on.  Anarchism, if it ever hopes to succeed has to work on liberating people's minds, not just liberating them from the bonds of economic and social oppression (which seems to be focus of libertarians, both on the left and on the right.) I'm under no illusion that any kind of anarchist society could succeed unless people have liberated their own minds.

So, this lead directly back into the original topic:

I don’t believe that religion should be immune to the same level of scrutiny and criticism we give to other social structures. There is a tendency to be overly sensitive when it comes to religion.  As an anarchist, I don't believe their should be any restrictions whatsoever on people's ability to practice their religion.  However, for this freedom to be truly useful, it must be a freedom of the mind as well as the body.  What I mean is that people are free to practice oppressive religions, but the ideal would be that people free themselves from this mental oppression as well.

Now, specifically regarding the wearing of the hijab (or, and this is less notorious, but more personally relevant, the conservative Mennonite bonnet).  I would consider myself a feminist and so I become skeptical whenever I see something oppressive towards women, defended on the basis of religion.  I would never deny a woman's right to choose to wear the veil, but I would view it as akin to women choosing to stay in an abusive relationship, or slaves choosing to remain in the service of their owner, even after being "freed" (both of which are not uncommon choices.)  These people may be making a choice, but one that stems, in my view, from oppression.  The covering of the head is based on the notion that men are not responsible for their actions - women must cover themselves to avoid being leered at.  And there is no analogous requirement for men.  This isolates and marginalizes women.  In some ways it has the same effect as pornography, by objectifying women's body - one by covering it and the other by uncovering. These rules were devised by men, not women, as most religions in the world are created by men, and so one must be naturally skeptical of the motivations for these rules.

Now I realize there are modern women who say they cover their head voluntarily, and don't do it out of oppression.  This is fine and they are free to do so.  But we shouldn't deny that this is revisionism and not the original intent of the practice.  It does make me wonder just how liberated and progressive they really are.  I see these items as symbols of oppression and violence towards women.  People may say, "Well that's not what it means when I wear it."  Fine, I use this retort myself on other issues, but deep down I know that it's just a way of justifying to myself an action I know cannot truly be justified.  There are women that "choose" to marry into polygamist relationships.   People "choose" to join death cults.  People "choose" all sorts of oppression.  This only indicates that oppression and violence are often as much mental as physical and so, as a pacifist, I would like to think my goal would be to oppose this sort of mental violence, too.  I'm not sure that anyone at anytime is ever making a free decision or choice - there are always coercive, even subconscious, influences.  I think this applies to most "choices" we make - its unavoidable.  But what's not unavoidable is the defense of these decisions on a dubious basis.  Frantz Fanon has written fascinating accounts of the psychological effect that oppression has on people.  And we're all familiar with the Stockholm Syndrome.  So it shouldn't be surprising when any of us defends our own oppression by saying "to me, it's not a symbol of oppression."  No modern person wants to think of themselves as oppressed, so of course they'll claim anything they do is done out of free will.  I wouldn't ever want to deny someone's right to make these free choices.  But I would hope that someone could reach out and help them see the chains that bind them....ha...that's getting sappy.  And probably no one is reading this anymore....I'm an ass -  an oppressed, and repressed one......I apologize....but would love to discuss these issues with anyone who can look past my neurosis and engage in dialogue on this...
I welcome your comments.

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Academy Awards [Jan. 24th, 2009|12:22 pm]
Here are my thoughts on the nominations.
Having seen every best picture Oscar winner,  I'm quite familiar with the type of films the Academy likes and doesn't like in terms of style. They like big budget, epic, familiar faces, story over style, nothing too controversial, nothing offensive, commercial films.  This is pretty obvious.
But what continues to baffle me is the lack of inclusion of foreign films in the major categories.  I realize this is the American Academy (specifically Hollywood) that is voting, but as far as I know there is no rule against foreign films and on occasion foreign films have been nominated for best picture.  In fact, there's usually one British film up for Best Picture (Slumdog, this year).  But why choose Britain to break their unwritten rule against foreign films?  Britain has not historically been known as a powerhouse for cinema - I would estimate that it ranks behind France, Germany, Italy and Japan.  And so it's strange that the Academy does on occasion nominate foreign films, but usually from English-speaking UK.  This can be attributed to nothing but xenophobia.
Now, for the Best Picture nominees in particular.  

Frost/Nixon - haven't seen it, but this is Ron Howard.  The Academy loves Ron Howard far more than he deserves.  He's certainly no auteur and fits exactly the description of film-making I mentioned earlier.

The Curious Case of Benjamin Button - this has 13 nominations, which is insane and only proves how weak 2008 was compared to 2007.  This is a mediocre film at best and already won best picture in 1994.

The Reader - a good film, though flawed.  Might be the best of the 5 nominees, but not Best Picture calibre in most years.

Slumdog Millionaire - again, a good film, people like it, but with major flaws.  I'm rooting for this just because it's likable and about the best of the nominees in a very weak year.

Milk - haven't seen this yet.  A Sean Penn bio-pic.  Hmmm, pretty typical Hollywood stuff, I imagine.  And the so-called "controversial" subject matter has already been crossed in the Hollywood mainstream with Brokeback Mountain.  Still, I'll reserve judgment until I've seen this one.

Now, what wasn't nominated for Best Picture:
-strange that Waltz with Bashir gets a best foreign film nomination (I refuse to use the word "nod") and not up for Best Animated Feature.  Apparently Bolt is a better film.
-The Dark Knight - people are complaining this didn't get a lot of nominations.  And while I agree that it's nowhere near Best Picture quality - in a weak year like this year (at least for American films) sure, what the heck, give in a nomination - it's at least as good as crap like Benjamin Button.
-The Wrestler - I had a bit of a bias against Aronofsky before seeing this film - I was underwhelmed with his previous work.  But this film is great! And it's not just Rourke's acting.  (I'm not celebrating any Mickey Rourke comeback because I was never really familiar with his work to begin with.)  Stylistically this is Aronofsky best film - he's dropped the gimmicky editing of some of his previous work and adopted an effective documentary approach.  This film also has interesting symbolism and is about a lot more than wrestling.  The best American film of 2008 - that I've seen.  As far as I can tell this is a superior film to any of the Best Picture nominees.
-Vicky Cristina Barcelona - didn't even get a screenplay nomination.  Normally this wouldn't be a best picture contender, but again, in this weak year it's a stronger film than most of the other nominees.
-Gran Torino - haven't seen it, but seemed like a front-runner, yet got virtually shut out.  I can't imagine it's worse than Benjamin Button.
-Oh and Doubt was better than the 5 nominees as well.  And Revolutionary Road probably is.......

That's all I'll say for now.







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Iceland Air [Jan. 22nd, 2009|01:14 pm]
 I know people (including myself) normally rant and complain about stuff in their blogs.  But I'd like to do the opposite.  I received outstanding customer service from Iceland Air.  I won't go into all the details, but I highly recommend this airline (and I haven't even flown with them yet).  Normally when you call any 1-800 number you're on hold for hours, you get someone who doesn't speak English, or someone who resents the fact that you're calling.  But I had to call Iceland Air today and I've never had such good costumer service over the phone.  I didn't know how to thank them - so the least I could do is give them a little plug.
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Books Read List 2009 [Jan. 4th, 2009|03:36 am]
Books Read in 2009

Anti-Oedipus: Capitalism and Schizophrenia - Gilles Deleuze and Felix Guattari
The Blue Fox - Sjon
Exile and Other Poems - St. John Perse
Berlin Alexanderplatz  - Alfred Doblin
Njal's Saga
The Poetry of Jaroslav Seifert - Jaroslav Seifert
The Maid Silja - F.E. Sillanpaa
The Collected Works of Billy the Kid - Michael Ondaatje
Questions I Asked My Mother - Di Brandt
Markings - Dag Hammarskjold
The Bridge on the Drina - Ivo Andric
The Road - Cormac McCarthy
Unspeakable Acts Unnatural Practices - Frank Smith
Thais - Anatole France
The Wonderful Adventures of Nils - Selma Lagerlof
Slouching Towards Bethlehem - Joan Didion
Life After God - Douglas Coupland
The Jungle - Upton Sinclair
The Sibyl - Par Lagerkvist
The Sacred and the Profane - Mircea Eliade
Egil's Saga 
My Winnipeg - Guy Maddin
The Sickness Unto Death - Soren Kierkegaard
Open Veins of Latin America - Eduardo Galeano
Innocent Erendira and Other Stores - Gabriel Garcia Marquez

My 2008 list: http://northropfrye.livejournal.com/68353.html
My 2007 list: http://northropfrye.livejournal.com/49570.html
My 2006 list: http://northropfrye.livejournal.com/19079.html
My 2005 list: http://northropfrye.livejournal.com/736.html
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Normal and Natural [Jan. 3rd, 2009|06:17 pm]
This facebook breast-feeding controversy is kind of funny.  I think I see both sides of issue.  If someone wants to post pictures of themselves breastfeeding, whatever, who cares.  However, breastfeeders are often nuts - like the type who think they should breastfeed toddllers.  I just watched this interview with a woman who started a facebook group to protest the restrictions.  She says that since breastfeeding is normal and natural, then people should be able to post pictures on facebook. I might even agree with her position on the posting of pictures, but her argument is erroneous.  Having sex is normal and natural.  Urinating and defecating is normal and natural and healthy.  But some things we do in private.
Of course, what we do in private or public is an arbitrary social rule, as illustrated in Luis Bunuel's Phantom of Liberty in the scene where people sit around the table defecating and go into little tiny rooms to eat.  So, yes, the rules are arbitrary and socially constructed.   However, given the social rules we do have, there's no reason to argue that anything natural and normal should be shown on facebook.
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Films Watched List 2009 [Jan. 1st, 2009|07:57 pm]
(Feature films watched for the first time only)

Taxi to the Dark Side (2007) - Alex Gibney - 7
Slacker Uprising (2008) - Michael Moore - 5
Morocco (1930) - Joseph Von Sternberg - 7
East of Eden (1955) - Elia Kazan - 8
Jezebel (1938) - William Wyler - 7
Now, Voyager (1942) - Irving Rapper - 6
The Curious Case of Benjamin Button (2008) - David Fincher - 5
Dark Victory (1939) - Edmund Goulding - 7
Once Upon a Time in America (1984) - Sergio Leone - 8
Encounters at the End of the World (2007) - Werner Herzog - 7
101 Reykjavik (2000) - Baltasar Kormakur - 6
Aparajito (1956) - Satyajit Ray - 8
Insomnia (1997) - Erik Skjoldbjaerg - 7
Another Woman (1988) - Woody Allen - 8
The Reader (2008) - Stephen Daldry - 7
The Wrestler (2008) - Darren Aronofsky - 9
Lights in the Dusk (2006) - Aki Kaurismaki - 8
Sholay (1975) - Ramesh Sippy - 10
Edvard Munch (1974) - Peter Watkins - 9
Hawaii, Oslo (2004) - Erik Poppe - 7
Thirst (1949) - Ingmar Bergman - 6
The Sea (2002) - Baltasar Kormakur - 7
Chimes at Midnight (1965) - Orson Welles - 8
Sin City (2005) - Frank Miller and Robert Rodriguez - 5
Cat People (1942) - Jacques Tourneur - 5
Yi Yi (2000) - Edward Yang - 8
Night on Earth (1991) - Jim Jarmusch - 9
Down by Law (1986) - Jim Jarmusch - 8
The Five Obsructions (2003) - Jorgen Leth and Lars von Trier - 7
Gran Torino (2008) - Clint Eastwood - 6
Europa (1991) - Lars von Trier - 10
Dogville (2003) - Lars von Trier - 8
4 Months, 3 Week, 2 Days (2007) - Cristian Mugiu - 8
The Voice of the Moon (1990) - Federico Fellini - 7
Roma (1972) - Federico Fellini - 9
The Bourne Ultimatum (2007) -  Paul Greengrass - 4
Secondhand Lions (2003) - Tim McCanlies - 3
The Clowns (1970) - Federico Fellini - 6
Pretty Village Pretty Flame (1996) - Srdjan Dragojevic - 9
Ginger and Fred (1986) - Federico Fellini - 7
Watchmen (2009) - Zack Snyder - 5
Spellbound (1945) - Alfred Hitchcock - 8
The Duellists (1977) - Ridley Scott - 7
Frost/Nixon (2008) - Ron Howard - 7
Miss Julie (1951) - Alf Sjolberg - 8
Show Me Love (1998) - Lukas Moodysson - 7
Little Women (1933) - George Cukor - 6
Breaking Away (1979) - Peter Yates - 6
Interiors (1978) - Woody Allen - 7
Stryker (2004) - Noam Gonick - 6
The Double Life of Veronique (1991) - Krzysztof Kieslowski - 8
Come and See (1985) - Elem Klimov - 10
Dersu Uzala (1975) - Akira Kurosawa - 9
Kolya (1996) - Jan Sverak - 8
Milk (2008) - Gus van Sant - 6
Let the Right One In (2008) - Thomas Alfredson - 6
The Class (2008) - Laurent Cantet - 7
Hail the Conquering Hero (1944) - Preston Sturges - 7
W. (2008) - Oliver Stone - 6
The Scar (1976) - Krzysztof Kieslowski - 7
Happy Go Lucky (2008) - Mike Leigh - 8
Population / 436 (2006) - Michelle MacLaren - 3
The Perverts Guide to Cinema (Slavoj Zizek) (2006) - Sophie Fiennes - 7
Young Mr. Lincoln (1939) - John Ford - 7
Notre Musique (2004) - Jean-Luc Godard - 8
Riget (1994) - Lars von Trier - 9
Delicatessen (1991) - Marc Caro and Jean-Pierre Jeunet - 7
Cleo from 5 to 7 (1962) - Agnes Varda - 8
Terminator Salvation (2009) - McG - 4
The King of Comedy (1982) - Martin Scorsese - 7
Riget II (1997) - Lars von Trier - 9
Lolita (1962) - Stanley Kubrick - 8
The Thief of Bagdad (1924) - Raoul Walsh - 8
The Color of Pomegranates (1968) - Sergei Paradjanov - 8
A Taste of Cherry (1997) - Abbas Kiarostami - 9
The Magnificent Seven (1960) - John Sturges - 8
Into the Wild (2007) - Sean Penn - 8


My 2008 list: http://northropfrye.livejournal.com/68299.html
My 2007 list: http://northropfrye.livejournal.com/49386.html 
 
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Here are my year-end lists [Jan. 1st, 2009|01:37 am]
Films Watched List 2008

(Feature length films watched for the first time only.)

I'm Not There (2007) - Todd Haynes - 8
The Bucket List (2007) - Rob Reiner - 4
Juno (2007) - Jason Reitman - 7
Rescue Dawn (2006) - Werner Herzog - 6
Babette's Feast (1987) - Gabriel Axel - 7
Atonement (2007) - Joe Wright - 6
There will be Blood (2007) - Paul Thomas Anderson - 8
Tron (1982) - Steven Lisberger - 6
Les Bons Debarras (1980) - Francis Mankiewicz - 8
Underground (1995) - Emir Kusturica - 8
Sophie's Choice (1982) - Alan J. Pakula - 6
The Killing of a Chinese Bookie (1976) - John Cassavetes - 8
Superbad (2007) - Greg Mottola - 6
Tokyo-Ga (1985) - Wim Wenders - 8
General Idi Amin Dada: A Self Portrait (1974) - Barbet Schroeder - 7
The Brothers Grimm (2005) - Terry Gilliam - 5
The Holy Mountain (1926) - Arnold Fanck - 7
Head (1968) - Bob Rafelson - 7
Performance (1970) - Donald Cammell and Nicolas Roeg - 6
The American Friend (1977) - Wim Wenders - 9
Hail Mary (1985) - Jean-Luc Godard - 6
That Obscure Object of Desire (1977) - Luis Bunuel - 7
Kwaidan (1964) - Masaki Kobayashi - 8
The Quiet Duel (1949) - Akira Kurosawa - 6
La Vie en Rose (2007) - Olivier Dahan - 8
The Wind that Shakes the Barley (2006) - Ken Loach - 8
The Werckmeister Harmonies (2000) - Bela Tarr - 10
Dog Day Afternoon (1975) - Sidney Lumet - 8
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975) - Chantal Akerman - 10
Gojira (1954) - Ishiro Honda - 7
The Big Red One (1980) - Samuel Fuller - 7
Backbeat (1994) - Iain Softley - 5
Face to Face (1976) - Ingmar Bergman - 8
Across the Universe (2007) - Julie Taymor  - 3
The Counterfeiters (2007) - Stefan Ruzowitzky - 7
Infernal Affairs (2002) - Wai-keung Lau and Siu Fai Mak - 8
(1969) - Costa-Gavras - 7
Good Morning (1959) - Yasujiro Ozu - 7
Knife in the Water (1962) - Roman Polanski - 8
My Life as a Dog (1985) - Lasse Hallstrom - 7
Memoirs of a Geisha (2005) - Rob Marshall - 6
Missing (1982) - Costa-Gavras - 7
Y Tu Mama Tambien (2001) - Alfonso Cuaron - 7
The Warriors (1979) - Walter Hill - 6
The Broadway Melody (1929) - Harry Beaumont - 4
Curse of the Golden Flower (2006) - Zhang Yimou - 6
No Man's Land (2001) - Danis Tanovic - 8
Rope (1948) - Alfred Hitchcock - 9
Sudden Impact (1983) - Clint Eastwood - 3
Gaslight (1944) - George Cukor - 7
The Tragedy of Othello (1952) - Orson Welles - 7
Escape from New York (1981) - John Carpenter - 5
Ace in the Hole (1951) - Billy Wilder - 8
Stalag 17 (1953) - Billy Wilder - 7
Indiana Jones and the Kingdom of the Crystal Skull (2008) - Steven Spielberg - 5
Killer of Sheep (1977) - Charles Burnett - 7
Cassandra's Dream (2007) - Woody Allen - 7
A Voyage in Time (1983) - Andrei Tarkovsky - 6
Sans Soleil (1983) - Chris Marker - 8
Ed Wood (1994) - Tim Burton - 8
The Seventh Voyage of Sinbad (1958) - Nathan Juran - 7
The Thief of Bagdad (1940) - Alexander Korda (prod) - 9
The Milky Way (1969) - Luis Bunuel - 8
The Harder They Come (1972) - Perry Henzell - 7
Apocalypto (2006) - Mel Gibson - 5
Broken Blossoms (1919) - D.W. Griffith - 9
Detour (1945) - Edgar G. Ulmer  - 7
The Magnificent Ambersons (1942) - Orson Welles - 8
Jason and the Argonauts (1963) - Don Chaffey - 9
If...(1968) - Lindsay Anderson - 5
My Winnipeg (2007) - Guy Maddin - 9
Shine a Light (2008) - Martin Scorsese - 7
The Kite Runner (2007) - Marc Forster - 5
National Treasure: Book of Secrets (2007) - Jonathan Turtletaub - 3
Life with Father (1947) - Michael Curtiz - 5
In Bruges (2008)  - Martin McDonagh - 7
My Blueberry Nights (2007) - Wong Kar Wai - 6
The Life of Emile Zola (1937) - William Dieterle - 7
War of the Worlds (1953) - Byron Haskin - 7
Bullets Over Broadway (1994) - Woody Allen - 7
Stolen Kisses (1968) - Francois Truffaut - 8
The Enigma of Kaspar Hauser (1974) - Werner Herzog - 8
The Student of Prague (1926) - Henrik Galeen - 6
Go West (1925) - Buster Keaton - 8
The Man Without a Past (2002) - Aki Kauriskami - 8
The Passion of Anna (1969) - Ingmar Bergman - 9
The Dark Knight (2008) - Christopher Nolan - 6
Redacted (2007) - Brian DePalma - 5
Offside (2006) - Jafar Panahi - 7
Vicky Cristina Barcelona (2008) - Woody Allen - 7
3 Worlds of Gulliver (1960) - Jack Sher - 5
Smart People (2008) - Noam Murro - 6
Christmas in July (1940) - Preston Struges - 8
When Father Was Away on Business (1985) - Emir Kustirica - 9
Silent Light  (2007) - Carlos Reygadas - 9
Burn After Reading (2008) - Joel and Ethan Coen - 7
2 Days in Paris (2007) - Julie Delpy - 7
Falling Down (1993) - Joel Schumacher  - 7
Clash of the Titans (1981) - Desmond Davis - 6
Radio Days (1987) - Woody Allen - 8
The Earrings of Madame de...(1953) - Max Ophuls - 9
A Midsummer Night's Sex Comedy (1982) - Woody Allen - 7
Miracle at St. Anna (2008) - Spike Lee - 6
The Lion has Wings (1939) - Alexander Korda (prod.) - 6
Opening Night (1977) - John Cassavetes - 9
Standard Operating Procedure (2008) - Errol Morris - 8
Fearless (1993) - Peter Weir - 7
This is England (2006) - Shane Meadows - 8
Footloose (1984) - Herbert Ross - 4
Princess Mononoke (1997) - Hayao Miyazaki - 8
The Last Tango in Paris (1972) - Bernardo Bertolucci - 8
The Dreamers (2004) - Bernardo Bertolucci - 7
The Mortal Storm (1940) - Frank Borzage - 7
Torn Curtain (1966) - Alfred Hitchcock - 7
Kandahar (2001) - Mohsen Makhmalbaf - 7
One, Two, Three (1961) - Billy Wilder - 9
Berlin (2008) - Julian Schnabel - 8
Touching the Void (2003) - Kevin Macdonald - 8
McCabe and Mrs. Miller (1971) - Robert Altman - 8
'I Know Where I'm Going' (1945) - Michael Powell and Emeric Pressburger - 8
Elevator to the Gallows (1958) - Louis Malle - 8
The Shop on Main Street (1965) - Jan Kadar and Elmar Klos - 9
The Man Who Fell to Earth (1976) - Nicolas Roeg - 4
Autumn Sonata (1978) - Ingmar Bergman - 8
The Iron Horse (1924) - John Ford - 7
Atlantic City (1980) - Louis Malle - 7
Closely Watched Trains (1966) - Jiri Menzel - 9
Damnation (1988) - Bela Tarr - 9
Australia (2008) - Baz Luhrmann - 3
Young at Heart (2007) - Stephen Walker - 7
The Return (2003) - Andrei Zvyaginstev- 7
Revenge of a Kabuki Actor (1963) - Kon Ichikawa - 9
Shadows in Paradise (1986) - Aki Kaurismaki - 9
Ariel (1988) - Aki Kaurismaki - 8
The Match Factory Girl (1990) - Aki Kaurismaki - 8
Witness for the Prosecution (1957) - Billy Wilder - 7
Roman Holiday (1953) - William Wyler - 6
My Left Foot (1989) - Jim Sheridan - 6
La Chinoise (1967) - Jean-Luc Godard - 9
The Man in the White Suit (1951) - Alexander Mackendrick - 7
To Have and Have Not (1944) - Howard Hawks - 7
Berlin Alexanderplatz (1980) - Rainer Werner Fassbinder - 10
Bed and Board (1970) - Francois Truffaut - 8
Love on the Run (1979) - Francois Truffaut - 7
Johnny Guitar (1954) - Nicholas Ray - 9
In Which We Serve (1942) - Noel Coward and David Lean - 6
Salesman (1968) - Albert and David Maysles and Charlotte Zwerin - 8
Wall-E (2008) - Andrew Stanton - 7
Cavalcade (1933) - Frank Lloyd - 5
Wings (1927) - William Wellman - 8
Three Penny Opera (1931) - GW Pabst - 7
It (1927) - Clarence Badger - 6
Boyz N the Hood (1991) - John Singleton - 8
Pi (1998) - Darren Aronofsky - 8
Natural Born Killers (1994) - Oliver Stone - 6
Magnolia (1999) - Paul Thomas Anderson - 9
Anything Else (2003) - Woody Allen - 6
Eyes Wide Shut (1999) - Stanley Kubrick - 7
Slumdog Millionaire (2008) - Danny Boyle - 7
White Dog (1982) - Samuel Fuller - 8
Appaloosa (2008) - Ed Harris - 5
Religulous (2008) - Larry Charles - 7
Iron Man (2008) - Jon Favreau - 6
Doubt (2008) - John Patrick Shanley - 8


Books Read List 2008

Portnoy's Complaint - Philip Roth 
A Gauntlet - Bjornstjerne Bjornson
The Case for the Real Jesus - Lee Strobel
The Education of Henry Adams  - Henry Adams
How to Talk About Books You Haven't Read - Pierre Bayard
Wide Sargasso Sea - Jean Rhys
Narrow Road to the Interior - Matsuo Basho
Norwegian Wood - Haruki Murakami
The Death and Life of Great American Cities - Jane Jacobs
Kokoro - Natsume Soseki
Equus - Peter Shaffer
What Went Wrong: Western Impact and Middle Eastern Response - Bernard Lewis
The Tin Drum - Gunter Grass
Deschooling Society -  Ivan Illich
Tropic of Cancer - Henry Miller
Faust - Johann Wolfgang von Goethe
The Shaking of the Foundations - Paul Tillich
The Woman in the Dunes - Kobo Abe
Myth and Christianity - Karl Jaspers and Rudolph Bultmann
Memories, Dreams and Reflections - Carl Gustav Jung
The Kingdom of God is Within You - Leo Tolstoy
Hunger - Knut Hamsun
The Myth of Sisyphus - Albert Camus
The Bhagavad Gita 
Hiroshima - 
John Hersey
Eichmann in Jerusalem: A Report on the Banality of Evil - Hannah Arendt
The Plague - Albert Camus
No Man Knows My History: The Life of Joseph Smith - Fawn M. Brodie
Accidental Death of an Anarchist - Dario Fo
The Flying Troutmans - Miriam Toews
Something Like an Autobiography - Akira Kurosawa
The Myth of a Christian Nation - Gregory Boyd
Critique of Pure Reason - Immanuel Kant
Memories of a Fading Past - Helen and Henry A. Bergman
Barack - Jonah Winter
The God Delusion - Richard Dawkins
Brideshead Revisited - Evelyn Waugh
Violence - Slavoj Zizek
Unfortunately, It was Paradise - Mahumoud Darwish
The Round and Other Cold Hard Facts - J.M.G. Le Clezio
Ecrits: A Selection - Jacques Lacan
Kama Sutra - Vatsysayana
Auto da Fe- Elias Canetti
The Crucible - Arthur Miller
Systematic Theology Vol. I - Paul Tillich
Do Androids Dream of Electric Sheep? - Philip K. Dick
God at War - Gregory A. Boyd
Andrei Tarkovsky - Sean Martin

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Best Picture [Dec. 17th, 2008|11:03 pm]
 I have now seen every Academy Award Best Picture winner.  Some were excellent, some were good, and a few were pretty bad.  I also made a list of my personal choice for best film from each year from 1915 to 2008. (Oscars started in 1928).  Comparing my list to the Academy Best Picture winners, I have agreed with their choice on 9 occasions - although some of these years I've only seen half a dozen films from that year, so if I had seen 20-30 films from that year, I may have chosen a different film.  Nevertheless, in my estimation the Academy got it right in these years:

1943 - Casablanca
1950 - All About Eve
1954 - On the Waterfront
1962 - Lawrence of Arabia
1971 - The French Connection
1977 - Annie Hall
1992 - Unforgiven
1993 - Schindler's List
1999 - American Beauty

The worst Best Picture winners:
1. Titanic (1997)
2. Crash (2005)
3. Shakespeare in Love (1998)
4. Tom Jones (1963)
5. The Broadway Melody of 1929 (1929)
6. Cavalcade (1933)
7. West Side Story (1961)

My favourite of the Best Picture winners:

1. Annie Hall (1977)
2. On the Waterfront (1954)
3.The Apartment (1960)
4. Lawrence of Arabia (1962)
5. The French Connection (1971)
6. Unforgiven (1992)
7. No Country for Old Men (2007)

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Are you kidding me? [Dec. 3rd, 2008|04:40 pm]
We are in unprecedented times here in Canada.  Just a month after a federal election we have a trio of opposition parties threatening to take power and form a coalition government.  This hasn't happened since the First World War.  I have mixed feelings about the idea of a coalition, especially one that would make a weak leader (and already resigned leader) like Stephane Dione Prime Minister - and a coalition that relies on a separatist party to stay afloat.  It's also a little offensive to have these type of shenanigans so close to an election.  The people of Canada voted in the Conservatives - I didn't - but that doesn't mean that Canadians didn't.  We get what we deserve.  The argument that, well, collectively the other three parties add up to more votes than the Conservatives is not a legit argument, at least not as any sort of appeal toward democracy.  Certainly no Canadian voted for the Liberals, NDP and Bloq with the knowledge that these three disparate parties would somehow coalesce into a government of sorts.  
Yes, PM Stephen Harper is a tyrannical asshole - this is true. But the opposition parties knew this long before the recent election, and should have made their intent to form a coalition known to the voting public. (If the parties are so similar, they should have dissolved into one (or two) parties, and if they are not similar, how do they expect to govern?  Once Harper is gone they will no longer have the unifying factor of Harper as Enemy.)  A few are praising this coalition as a remarkable process of parliamentary democracy.  Call it parliamentary if you want, but I think it's perfectly clear that it's anything but "democratic" and only further demonstrates the serious flaws in our out-dated system.  (Have you seen the pomp and circumstance that opens up Parliament - talk about out-dated.)  If anything good comes out of this, I should hope that we see serious democratic reform.  I didn't vote for any of the represented parties, nor do I support Harper's vision for Canada, but I'm not convinced that this mishmash coalition will be an effective government that represents Canada's needs.  In fact, other than the prohibitive cost, I'd be all in favour of calling another election, rather than this scenario.

Anyway, what especially offends me is the email I received today. I am a public high school teacher, and as such, I'm a member of the Manitoba Teacher's Society, which consistently claims that it's a professional organization rather than a labour union, though the distinction is purely semantics. Well, today, along with all other teachers in Manitoba, I received an email informing me about and encouraging me to attend a "Rally in Support of a Coalition Government."

I clicked 'reply to all' and simply wrote "Are you kidding me?"

Not only is Education a provincial matter, rather than federal, and so MTS has no direct interest in federal politics, but I also resent the fact that MTS leaders would assume a homogeneous political discourse among teachers. This is just as offensive as the right-wing movement in the US that attempt to rally Evangelical Christians under the assumption that they all think exactly the same way about politics.

I want my union to speak up for teacher's rights, and shut the fuck up about anything else.  MTS should not be involved directly in politics.  They should especially not be involved in federal politics that have no direct relevance to teacher's issues or education.  (Nor is this coaltion in any way addressing these issues).  They should not assume a homogeneous political stance of their members.  They should not assume that an email like the one they sent out would persuade its members - I find that as offensive as any of it. It's like a pastor assuming a few words from the pulpit will change the views of the congregants.  This may happen in some churches, but I don't want my union to assume I'm that stupid.
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